It is fun for both viewers and participants! 《Kamo Fes '19》 Roundtable Discussion
Kamagawa Kamome “Short Drama” Festival 2019 (commonly known as “Kamo Fest '19”), which nurtures creative theatres who will be responsible for the next generation and sends a new 20-minute drama “Short Drama”.
As the festival's main event is approaching, Ichiho Matsumoto from the “Twimming Main Store”, who won last year, Norihito Nakayashi (customer who eats up) who changed from last year's judge to a challenger, participated in the theater company last year. This year, Kunihiko Onodera, the author of the best drama competition, gathered together and asked how they enjoyed the festival and their enthusiasm for the main game.
Please tell us how you became interested in theater
Nakayashiki I noticed when I played the role of Captain Hook of “Peter Pan” at the amusement party when I was five years old. The real world is not just interesting, so the world of “Peter Pan” is definitely more interesting. In my childhood, I thought, “Why we can't go to the world of Peter Pan”, and the means to get there was theater. Because theater is an overwhelming fictional world, you can become a different person, know a different world, and meet your feelings you have never met before. And customers can not only watch but also experience together. I think that is the magic of theater space.
Matsumoto: I met theater at a school festival for my third year high school student and thought “this is” and majored in theater at university. The number of theaters you can watch per year is limited compared to movies and books. It is possible to watch more than a thousand movies a year, but no matter how hard the stage is, two movies a day are the limit. That's why one stage is also a creator for customersIt will be a valuable opportunity. I feel that there is something in the theater space that is very inefficient in analog but can only be communicated if you go there and share your time.
I think it's interesting that the Onodera Theater can do something that you don't understand. The drama I write is mischievous, so sometimes I say "I don't know what I'm talking about" on the scene, but it's the theater (laughs) that manages it.
Where do you think the fun of short plays is?
I think Nakayashiki is the place where I can train the most like a festival like a festival. If you have two hours, you can stuff everything with laughter, tears, and excitement, but with 20 minutes you will be able to clarify your core part of what you want to do most now. What do you think is “drama” and how do you want to meet customers? Also, there are many things that can be done by shortening, so I'm excited. I think that is the fun of a short drama.
Matsumoto We challenged a short drama for the first time last year. There are some things that can be communicated within the limit of 20 minutes, and some may not be communicated. It is necessary to think about the points to focus on in the work, what will be the game, and because it can not be packed with anything, it can make a strong thing.
Onodera I also wrote a short drama for the first time last year. Until then, I've never given myself time constraints, but it fits unexpectedly (laughs). The other day, at the drama competition, I was told to read other works that were nominated for the final judging, but I thought they were very good, even though they were in the Goetsu. Compared to that, how clumsy I amwhat. Maybe it ’s better that you do n’t see Ara when you ’re done (laughs).
Nakayashiki isn't doing that kind of consciousness (laughs).
At Matsumoto Kamo Fes, you can watch the works of 5 groups from all over the country in one day. I think that the luxury of being able to pinch and see the works of the fun of theatrical companies gathered from all over the country can only be obtained because there is a limit of 20 minutes.
Looks like a mansion. I think there is a lot of fun for customers to see various works. I can get the most appeal of the theater company in a short amount of time, but for us, it's a problem if we don't have it (laughs). People tend to think that “the short story is not enough,” but I think there is “darkness” that doesn't make me think so.
I participated last year, but what is the charm of the festival?
You can meet various people and groups from all over Matsumoto . We usually work in Tokyo, but we cannot easily go outside with our own power. Last year there were theater companies from Shimane Prefecture, Miyagi Prefecture, and South Korea, and it was the most fun to meet such people.
Onodera I don't interact with the outside world on a daily basis, so I almost know what other theater companies are doing.There is not. Sometimes I feel like I became Taro Urashima (laughs). For me, the festival may be a place to know the mode. It was fun to talk to other theater companies in the dressing room.
Nakayashiki I participated as a judge last year, but this time I really wanted to participate as an artist. When you interact with other organizations, you can see your weaknesses and new aspects. The troupe should participate in the festival and do a short drama because they realize that they have to do it!
Matsumoto : High school theater groups will be participating this year. I'm really looking forward to high school theater because it is said to be really interesting now. At the same time, we must make a difference as professionals. As a company, I think we must raise the accuracy one step further, increase the density, and improve the skill level.
From the perspective of Nakayashiki customers, there are no professionals, no amateurs, and no matter the age. From the performance side, everyone likes theater and there is only one desire to deliver something to customers.
Matsumoto : I remember remembering last year, Nakayashi-san told me that he was “just but not the best” about his efforts in drama. Morihiko Takeshige's screenplay was the first time before, but after that he wrote down the performance of the theater company, and this time will be the third challenge. I am eager to agree if I can break one shell and start a different scene.
Onodera I participated as a theatrical company last year, so I was on stage as an actor. At that time, I remember that Mr. Nakayashiki, who was a jury member, said, “The script is good and I will do the production.” So I applied for a drama this time (laughs).
Nakayashia , did you say that? But this is my first time collaborating with Onodera-san, so I can't help slipping. Mr. Matsumoto has pressure from last year's success.
Matsumoto: Certainly, there are some difficult parts (laughs). Last year, after the theater festival, I was very impressed that the performance was held at the Kanagawa Prefectural Government Conference Hall on May the Kanagawa Prefectural Government Opening Day as a memorial performance. Because it was part of the GW event, we didn't come to see the theatre, and most of our customers stopped by accident. Still, many people stopped and watched it so that the venue was full. Through these activities outside the so-called theater, I became interested in bringing in contact with more people.
In that respect, festivals are easy to visit even for those who are not interested in theatrical performances. Various groups will participate, so you will surely find your favorite work!
NakayaThe floor ticket is also quite affordable. You can watch 5 groups for 1000 yen. Even if you watch all the works, it is 2000 yen, so this is definitely a good deal (laughs). Please come!
《I received a special message! 》
《Kanagawa Kamome “Short Theater” Festival》
Main game schedule
[Public Rehearsal] March 21 (Thu / Holiday)
* You can watch the practice of all the works for free.
[Main game / Group A]
① Open on Friday, March 22 18:00 / Start 18:30
② Open on Sunday, March 24 15:30 / Start 16:00
Shonan Teatro ☆ Delarte (Kanagawa) (open call for participants)
Ennuy (Tokyo) (Open call for participants)
Theater company 120 ○ EN (Fukushima) (open call for participants)
Nakayashiki Norihito = Eating Guest (Tokyo) Best Performance of Drama Competition "Modern Lovers Adventure" by Kunihiko Onodera
Theatrical company Hiroshi army (Nagasaki) (drama totsu × 20 minutes winning group)
[Main game / Group B]
① Open on Saturday, March 23 13:30 / Start 14:00
②Open on Sunday, March 24 11:30 / Start 12:00
21g seat (Kanagawa) (open call for participants)
Yokohama Suiran High School Full-time Theater Club (Kanagawa) (22th Century Flying Frame Winner)
Rousantika (Kyoto) (Open call for participants)
Morihiko Takeshi x Breaststroke Main Store (Tokyo) (Previous year award winning organization)
Hoshikuzu Ron Linenes (Hokkaido)
KAAT Kanagawa Arts Theater Large Studio
tvk ticket counter TEL.045-663-9999 (10: 00-15: 00 / weekdays only) etc.
*** *** *** *** *** *** *** ***
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